DE EVA À HELENA:
A IDENTIDADE FEMININA NA OBRA JORGIANA A COSTA DOS MURMÚRIOS
Keywords:
Identity; Woman; Memory.Abstract
This article discusses critical and theoretical considerations about the different ways in which the woman was portrayed in The murmuring coast (1988), by the portuguese author Lídia Jorge. In this work, consisting of two separate parts, an initial tale called The locusts, and nine later chapters to the story, the voice that narrates the chapters – Eva Lopo, resumes the tale, while still Evita, and your vision of the past shows customs and their experiences and other women, in the colonial war period in the African territory. So, we will look at the novel by Lídia Jorge, clarifying the path taken by Eva Lopo, questioning their identity transformations. The thoughts raised in this article have theoretical contribution the nominations of Silva (2000), Beauvoir (2016), Abdala Jr. (2007) and Candau (2016).
Downloads
References
BEAUVOIR, Simone de. O segundo sexo: fatos e mitos. Tradução de Sérgio Milliet. – 3.ed. – Rio de Janeiro: Nova Fronteira, 2016.
BOURDIEU, Pierre. A dominação masculina, tradução Maria Helena Kühner. 9º edição, Rio de Janeiro: Bertrand Brasil, 2010.
CANDAU, Joël. Memória e identidade. Tradução: Maria Letícia Ferreira. – 1ª ed, SP: Contexto, 2016.
JORGE, Lídia. A costa dos murmúrios. Portugal. Dom Quixote, 15ºed. 2004
MARGATO & GOMES, Isabel, Renato. Literatura e Revolução. – Minas Gerais: Editora UFMG, 2011.
MOUTINHO, Isabel. Nós e os outros: O Vento assobiando nas Gruas da pós-colonialidade portuguesa. In: O romance português pós-25 de Abril. Org. Petar Petrov, Roma Editora, 2005.
SCHMIDT, Simone Pereira. Gênero e história no romance português: novos sujeitos na cena contemporânea – Porto Alegre: EDIPUCRS, 2000.
SILVA, Tomaz Tadeu da. Identidade e diferença: a perspectiva dos estudos culturais/ Tomaz Tadeu da Silva (org), Stuart Hall, Kathryn Woodward – Petrópolis, RJ: Vozes, 2000.
Downloads
Published
How to Cite
Issue
Section
License
The Copyright for articles published in this magazine belongs to the author, preserving the rights of first publication for the Communitas Magazine. Because they appear in this publicly accessible journal, the articles are free to use, with their own attributions, in educational and non-commercial applications.