NI BRISANT'S DAILY WRITING AND THE MARGINAL LITERATURE READING AGREEMENT

Abstract

The objective of the work starts from the question of how to characterize self-writing in A Revolução dos Feios (2016), by the writer Ni Brisant, and how this style is related to the valued effect of the real in hip-hop culture . Besides, as the theme of travel is recurrent in the writer's work, we sought to reflect on how the diary genre collaborates in the elaboration of that theme. In this sense, with the support of the theory of the writings of the self, mainly of Lejeune's studies (2014), the diary tales / reports “Coveiro no Éden” and “A Revolução dos Feios” were analyzed. Thus, it was possible to perceive that, in addition to the diary genre offering productive resources for Ni Brisant's writing, since it intensifies the “effect of real” prestigious by the group, it still tensions the configuration of the place of enunciation markedly from São Paulo to marginal literature, because the autobiographical accounts of the Bahian writer deal with the strangeness about this place.